Michell Belgiorno
Michelle Belgiorno is a Sydney based artist who works across various media including oil painting, sculpture and collaborative fabric-based installations.
A long-term interest has been the inscrutable culture of Japan, drawing on a fifty-year engagement with the aesthetics, society and language, so distinct from that of Australia.
SHADOWS OF TIME is a personal reflection on this affinity with Japan, on the social changes observed, and on the rich traditions of this ancient culture.
As one who speaks and reads the language but is still an “outsider” (gaijin or outside person), she has peered through the shoji screens and observed the “inside” while reflecting on her own culture and values. Australia and Japan are different on so many levels; climate, topography, mono-versus-multi-culture, ancient versus new world. The Yin Yang is fascinating by way of contrast.
Belgiorno has been a practicing artist for 25 years. She has exhibited both in Sydney and Japan, and has been a finalist in the Mosman Art Prize, The Paddington Art Prize, the Portia Geach Memorial Prize and the Kings Art Prize. Her work is held in private collections, the Australian War Memorial and the Cowra Regional Gallery.
She holds a BA Fine Arts in Painting from the National Art School, a BA Honours in Japanese and a Master of Commerce.
When Max Miller was young, he came into contact with the romanticism of early Arabic writing & poetry, and also became aware of the importance of art and culture of China, Japan & India, partly due to his travel and many visits to the British Museum, Victoria & Albert Museum and studying at an art school close to the National Gallery, London. Max Miller loves detail and spirituality of nature, both in the microcosm and the enormity of space, the awareness of the evolutions of all things past, present & future. He sees no reason why he should separate his studies of natural things and that of his abstract world. To him they are all of the same. Miller travels to inland Australia whenever possible each year and greatly loves these voyages, which to him are mystic rambles. The travel and living in the bush are very, very special to him.
Max Miller is an Australian artist who has studied extensively both in Australia and internationally including the Julian Ashton School, the East Sydney Technical College, the American School of Arizona in Florence, the Hammersmith College of Art in London as well as completing a graduate diploma at St Martins College of Art, London. In 1978 he received the Victorian Arts Board grant to study at printmaking and papermaking workshops in Europe and Japan. Miller has exhibited widely in both solo and group exhibitions in Australia and overseas. He has won numerous prizes including Art Gallery of N.S.W. Wynne Trustees Watercolour Prize twice with the latest one in 2015 and he was a finalist in the Wynne Prize at Art Gallery of NSW in 2015 & 2016. His work is in the collection of various public institutions including National Gallery of Australia, Australian National University, High Court and Parliament House, Canberra, New England Regional Art Museum and Artbank. Miller has produced print editions for other artists including Lloyd Rees, John Olsen, Arthur Boyd and Frank Hodgkinson.
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We acknowledge the traditional custodians of the land on which we live and work– the Gadigal/Bidjigal people of the Eora Nation. We pay respects to their elders past, present and emerging.
122 x 41 cm
Mixed media and oil on linen