Belgiorno’s latest series, ‘Shadows of Time’ embodies her respect for Japanese aesthetics and the traditional practices of ritual and dedication to the task at hand. In turn, her works incorporate Japanese minimalism, repetition, wrapping, the impermanence of Washi paper, a muted palette and subtle suggestion rather than explanation.

“As one who speaks and reads the language but is still an “outsider” (外人Gaijin or outside person), I have peered through the shoji screens and observed the “inside” while reflecting on my own culture and values. Australia and Japan are opposite on so many levels; climate, topography, mono-versus-multi-culture, ancient versus new world. The Yin Yang is fascinating by way of contrast.”

Belgiorno has exhibited in Sydney and Japan, and has been a finalist in the Mosman Art Prize, Paddington Art Prize, The Kings and the Portia Geach Portrait Prize to name a few. She has also exhibited in numerous solo and group shows and is represented by Art Atrium Gallery. Her work is held by the Australian War Memorial, Cowra Regional Gallery and in private collections.